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The Murder and the Trial

Several of the events in Parade are dramatized with good accuracy. Below is a timeline of events, a summary of evidence, and an overview of key characters' historical counterparts

Timeline

26 April 1913
Mary Phagan picks up pay at National Pencil Factory

30 April 1913

Testimony of Lee and George Epps cast suspicion on Leo Frank

8 May 1913

Leo Frank arrested on suspicion of murder

26 May 1913

Jim Conley confesses to writing "murder notes"

27 April 1913
Mary's body discovered in factory basement; Newt Lee arrested

1 May 1913
Jim Conley found washing bloody shirt in factory basement, arrested

23 May 1913
Leo Frank indicted for murder of Mary Phagan

4 June 1913

Lucille Frank releases a statement defending Frank's innocence

28 July 1913

Frank's trial begins; first day witnesses include Fannie Coleman (Mary's mother) and Newt Lee

4 August 1913

Jim Conley testifies against Frank. He is the prosecution's chief witness

18 August 1913

Frank testifies in his own defense. 

25-26 August 1913

Frank is convicted of Phagan's murder and sentenced to execution by hanging

17 February 1914

Georgia Supreme Court denies Frank's appeal 

October-December 1914

Frank appeals to Georgia Supreme Court and US District Court to set aside his verdict. Both are denied

9 April 1915

US Supreme Court denies Frank's motion for appeal. Frank's execution is scheduled

18 July 1915

Frank's throat is slashed by a fellow prisoner 

25 November 1915

Several of Frank's lynchers join regrouping of the Ku Klux Klan in Stone Mountain, GA

11 March 1986

Leo Frank is posthumously pardoned

20-21 June 1915

Gov. Slaton commutes Frank's sentence to life in jail. Frank is transferred to State Prison in Milledgeville 

16-17 August 1915

A mob abducts Frank from Milledgeville and takes him to Marietta, where he is lynched for the murder of Mary Phagan

4 March 1982

Alonzo Mann signs deathbed affidavit claiming Frank's innocence and Conley's guilt

17 December 1998

Parade opens on Broadway at the Vivian Beaumont Theatre

One of the two "murder notes" found near Mary's body. Jim Conley admitted to writing the notes, but claimed that Leo Frank dictated the contents to him. Conley's attorney, in analyzing Conley's speech and writing patterns, later came to believe that Conley wrote the notes himself

Main Players: 

Mary Phagan—just shy of 14, Mary was described as fun-loving, witty, and mischievous by family and friends, and was known for her beauty. She loved going to movies at the local picture house, and she maintained close relationships with her mother, siblings, and cousins. Unlike many girls her age and social class, Mary could read and write, and is known to have composed at least one poem. 

Leo Frank—The 29-year-old factory superintendent was born in Texas but moved with his family to Brooklyn in infancy. He studied mechanical engineering and played tennis at Cornell University, and he loved symphonies and opera. Though many in his social circles liked him well enough, Leo was known as uptight and meticulous; however, letters he and his wife Lucille wrote to each other reveal that Leo could be gentle, passionate, and even gossipy, though that side of him rarely showed. 

Lucille Selig Frank—Just 25 when her husband was arrested, Lucille was witty, vivacious, and deeply intelligent while also practical, prudent, and dutiful. Lucille claimed she fell in love with Leo at first sight and that she "liked to make him blush." She visited Leo every day during his imprisonment, and she worked tirelessly writing letters and aiding in efforts to clear her husband's name. Even after his lynching, Lucille continued to go by "Mrs. Leo M. Frank." She never remarried. 

Jim Conley—Also 29, Conley worked as a janitor in the pencil plant. He'd had frequent run-ins with the law, mostly for drunk and disorderly conduct, but he was deeply intelligent, shrewd, and opportunistic. Conley's statements and testimony captured Atlantans, and he loved the attention and opportunity. Unlike many African Americans his age, Conley was relatively well-educated and literate, and he read the newspaper everyday. Many who believed Frank was framed think that Conley was able to piece his story together through connecting and filling in the newspaper accounts he read every day. Conley's testimony was the first time a white man was convicted in the South on the word of a black man. 

John Slaton—A popular Georgia politician who'd served in State Senate and House prior to becoming Governor, Slaton had high hopes for working up to the national stage. His commutation of Frank's sentence was political suicide; Slaton's former supporters turned against him, and the Georgia National Guard was called to protect the Governor's Mansion that night as mobs rioted and burned him in effigy outside. 

Hugh Dorsey—Atlanta's District Attorney. Although his conviction record was far from impressive prior to the Frank trial, he was calculating, watchful, and predatory. His success with the Frank trial increased his popularity, and he was elected Governor of Georgia in 1917. 

Tom Watson—Once a popular Populist with presidential aspirations, his popularity and political career had dwindled by 1913. He used his magazine The Jeffersonian as a mouthpiece for his anti-black, antisemitic, and anti-Catholic opinions. His coverage of the Frank trial incensed open antisemitism in the region, and Watson's popularity grew. In 1920, he was elected to the U.S. Senate. 

Newt Lee—In his late 50s, Lee would have been born into slavery and freed in childhood. Humble and dutiful, Lee was regarded largely as trustworthy by white people as a type of "old Negro."  

Luther Rosser—Gov. Slaton's law partner and Leo Frank's attorney, Rosser was known for his casual demeanor and unkempt dress—the man never wore a necktie, even in front of the U.S. Supreme Court—but he was an impressive attorney. Of imposing build, Rosser was determined and unyielding in the courtroom. 

Alonzo Mann—In 1983, the National Pencil Factory's former employee signed an affidavit on his death bed saying he'd seen Jim Conley carrying Mary Phagan's body to the basement alone, and that Conley threatened to kill him if he ever spoke about what he saw. Although it did not clear Frank of the murder, Mann's affidavit led to the 1986 posthumous pardon of Leo Frank. 

Clockwise from top left: Lucille Frank; Luther Rosser (profile); Alonzo Mann; John Slaton; Hugh Dorsey; Tom Watson; Leo Frank; Mary Phagan; Jim Conley

Some Key Evidence

  • "Mound of human excrement"—found in elevator pit in basement, and destroyed when Frank and two detectives took the lift down to the basement. Jim Conley later admitted it was his. 

  • Two "murder notes"—found by Mary's body. These seemed intended to cast suspicious on Newt Lee, and they became key evidence in Frank's trial. 

  • Red spot—suspicious red spot, determined to be blood, found by a worker near Mary's station

  • Strands of auburn hair—found in a bench lathe and identified as Mary's 

  • Frank's nerves—several witnesses testified that Frank appeared nervous the day the murder took place. These include two of the detectives who interviewed him as well as Newt Lee

  • Jim Conley—Conley submitted three different, contradictory accounts to police. The final one claimed that Frank killed Mary Phagan and dictated the murder notes to him. Then, Conley alleged, he and Frank took the body to the basement via the elevator. Cross-examination revealed some changes, but Conley's main story remained largely unchanged. He also testified that Frank was a serial harasser and seducer of young women.

  • Character affidavits—Several witnesses made statements attesting either/both Frank's lewdness or his behavior the day of the murder. Many were later retracted, with witnesses alleging that they were coerced into making the original statements. These include:

    •  Minola McKnight, the Franks' cook, and her husband Albert

    • Nina Formby, a brothel owner

    • George Epps, a friend of Mary's

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